Claudine West live at the Lincolnshire Well Being Show

When opportunity knocks, the knocking get my mojo dancing and romancing. I spent a wonderful weekend performing sets at Lizian Events Well Being Show. Liz and Ian have given me a fantastic opportunity and challenge to explore and perform ‘Earth Tree Healing’ music live. I embraced, I rehearsed, I took essential hooks and melodies from my repertoire. I improvised and jammed it out, surrounded by stall holders, mediums, the public, ghosts. I premiered this live debut and it felt really good. The trance is the dance of music. With closed eyes a new chapter was born. Electronic tambura, acoustic. This opportunity to reach new audiences cemented how much I do enjoy live performance. Solo or in bands.

Watch: Guitar, keyboards and loop pedal improv

I’d decided from the conception that live meant ‘live.’ Solo recreation of home studio multi tracking of instruments, without cheating to backing tracks. Music is vibrational and gravitational. Using real instruments is satisfying. The feel, the sweat. even ghosts love music. Armed with a loop pedal, my acoustic guitar, digital piano and hand pan drum.

Watch: Tambura, Acoustic Guitar, Handpan Drumming

I’d had a reflexology session with Chandu Solanki on Saturday. Walking on air and tranquility. Sunday. Tamra Butler @ TamPara shoulder/back massage, unblocking stuff and her gifts which are magic, sent me off into land beyond time in a very good way. I ended up almost creating a new album during my 2nd set of the day. Wellbeing and wellness doing what one loves.

Thank you all for the great feedback too! – Claudine

Watch : ‘Happiness’ Piano – from my album ‘Reiki’ 

Claudine West is a multi-instrumentalist and composer at Earth Tree Healing

Music links https://linktr.ee/earthtreehealing

 

 

 

 

Goddess Album Review – One World Music Radio

Take a moment to read in words what I created musically. A wonderful review of my new album. Thank you Steve Sheppard at One World Music Radio.

https://www.oneworldmusic.co.uk/album-reviews/4577256830

“Goddess by Earth Tree Healing is one of those albums that captures your heart as it plays, it has 14 tracks within the album, but each one is manifested with such unique methodology and musical prowess that you never drift off and you literally can’t wait for the next offering to arrive.
To be honest this has been a refreshing change for me and one that I really enjoyed immensely, I have no problem recommending this release, it is inventive, artistic, well thought out and professionally produced and played, this album is what the new age music genre really needed right now.”

Earth Tree Healing Music Links http://hyperurl.co/ef3qxg

Full Review By Steve Sheppard at One World Music Radio https://www.oneworldmusic.co.uk/album-reviews/4577256830

Goddess By Earth Tree Healing Written by Steve Sheppard I first came across Earth Tree Healing (Claudine West) just a few years ago with the release of her impressive album 8 Sabbats. The album intrigued me as does this latest release Goddess. Be ready now for a voyage of voyages within the realms of this release and our starting point is Artemis. As you can imagine we have many buildings with this name here in Cyprus, the Greek goddess of the hunt and a daughter of Zeus. The steady purposeful movement on the keyboards here is a reminder of her stealth and guile perhaps. Next up is one of the most beautiful tracks off the album, it’s has a wonderfully reflective quality and quite mournful in parts, and called Selene. Selene is the daughter of the Titans Hyperion and Theia, and sister of the sun-god Helios, the latter very well known here on the island, at just short of ten minutes, this is the longest track off the release and to be honest I wouldn’t have minded if it had been 19 minutes long it is simply divine, this is new age ambiance at its very best. The shadow of Hecate now drifts over our senses, the goddess of magic and all that moves in the dark realms of the night. This is the complete opposite of the last track with an intense percussive beat and some fantastic string work, creating an atmosphere of ritual and energy being raised, a full flowing harp also adds weight to what is a superbly powerful composition. How can one not get swept away by the sheer beauty of this next offering called Gaia, for those who are not sure, she is the Greek goddess of land and Earth, the mother of all life, and we must all be grateful she lets us walk on her back. The keyboard structures a really charming musical narrative here that is almost film score in style, and draws the portrait of our mother with a pristine clarity through music. I must admit I was really looking forward to this one, as we live on the island of love and just a few miles from Aphrodite’s birthplace at Petra tou Romiou, a beautiful place to visit and just a few miles east of my current location. The composition Aphrodite is idyllic, I could sit at her rock by the ocean and listen to this piece; it is so redolent of the subject matter. The gentle keyboards remind me in parts of some of the more ambient work of UK electronic musician Kevin Kendle and yes you have guessed it, this was my favourite piece off the release. I have now played this three times in a row, simply stunning indeed. Goddess Temple is now upon us, there is a real lightness of spirit about this offering that is so very compelling. There is a slight intensity of performance here which is fantastically alluring and the perfect track to place, as we edge ever closer to the mid-way point in the album, very classy work indeed. So that mid-way juncture has been reached and by doing so we have opened a portal up to the next composition called Bast, as now we travel over the ocean to Egypt to find, the protector of Cats, the warrior daughter of the great Ra himself. The smooth performance on this offering gives us an image of this sun drenched location with ease, and the keyboards and effects really manifest something so redolent of the subject matter. It seems as if this album was destined to land in my lap as now I move to the land of my ancestors in Wales and we visit the goddess Cerridwen, she who is the mistress of rebirth, transformation and inspiration. Listen out for the melody on this track it is addictive and beautifully constructed and the performances on keyboards is delightful and crafted sublimely. Now we must watch and enjoy the tones of this next composition with a deep seated interest, as we are presented the piece Morrigan, and our journey has taken us over the sea once again to Ireland. Morrigan, the great queen of the phantoms is a rhythmic track of great percussive quality and a stylish bass line. The Irish energy is strong in this one, as is the almost hypnotic performance on keyboards, a compelling arrangement indeed. One of my other favourites now plays before us, as we stay in Ireland for the track Brigid. The guitar here is so full and colourful it is a total pleasure to listen to, add the keyboards to this majesty and you have a truly poetic offering, which of course should be a given, as Brigid was considered the patron of arts, crafts and poetry among other things. This has to be the most charming arrangement off the album with ease. The percussive start for this next opus entitled Athena is startlingly superb and almost a little rocky in parts, which I have no problem with at all, the keyboards manifest a wondrous composition about the goddess who is credited to have brought and been responsible for, bringing the first Olive Tree into the world. There is a really clever regal element weaved into this composition which make it so powerful and attractive to listen to. We have now entered into the deeper waters of the release and have journeyed long and far to the east for this next composition called Lakshmi, the Hindu goddess of wealth, fortune and prosperity. The performance here almost manifests a slight chill out styled motif, one that has a specific sense of the subject matter beautifully portrayed, with a stylish percussion and a delightful and fluent keyboard all contained within. For our penultimate offering we stay in India and pay a visit to the goddess of time, creation, destruction and power, Kali. Now you may have expected an all guns firing rhythmic offering here, but the artist has been really clever and crated a composition the flows with the benevolence of a mother who protects her children from misfortune. The sensitive performance on keyboards here truly shows what a class act the artist is and further highlights a whole new side to the goddess Kali. So to finish this project off with style, let’s raise the energy for the last offering called Dance of the Goddess. This is a track that simply does what it says on the can, a smooth dance motif is created by a compelling performance on keyboards and simply the most relevant way possible to close down what has been a simply fantastic journey of myth, magic and goddess for us all to enjoy. Goddess by Earth Tree Healing is one of those albums that captures your heart as it plays, it has 14 tracks within the album, but each one is manifested with such unique methodology and musical prowess that you never drift off and you literally can’t wait for the next offering to arrive. To be honest this has been a refreshing change for me and one that I really enjoyed immensely, I have no problem recommending this release, it is inventive, artistic, well thought out and professionally produced and played, this album is what the new age music genre really needed right now.

GODDESS ALBUM COVER ART

Claudine West Music

Music Links 

Apple Music

YouTube Claudine West Channel

Official Site

Claudine West Art on Red Bubble

Claudine West LinkedIn

Soundcloud

Bandcamp

Facebook

Facebook Claudine West Music

Facebook Earth Tree Healing

Twitter

@claudinewmusic

@claudsville75

@earthtreeheal

Instagram Claudine West  @claudsville

Reverbnation

Claudsville Blog https://claudsville.wordpress.com/

Claudine West Art https://claudinewestart.wordpress.com/

The Band

Strange Currencies 

Twitter @strangecu https://twitter.com/strangecu

Goddess Album )0( Earth Tree Healing

Goddess by Earth Tree Healing released 2nd February 2019.  New Age instrumental music From British composer and multi-instrumentalist, Claudine West. Recorded in 2018 in Nottingham.

Available now on digital stores. CD’s from Amazon Music. 

Music Links (iTunes, Spotify, Apple Music, Google Play) Earth Tree Healing Music

https://open.spotify.com/embed/artist/6mPpC4hlyq6kpVHhpPehOx

Watch here:

Track Listing

  1. Artemis
  2. Selene
  3. Hecate
  4. Gaia
  5. Aphrodite
  6. Goddess Temple
  7. Bast
  8. Cerridwen
  9. Morrigan
  10. Brigid
  11. Athena
  12. Lakshmi
  13. Kali
  14. Dance Of The Goddess

Sometimes I create my best works when I feel vulnerable, at a loss with life. My escape into Claudsville, into rapture. Music is my Panacea. I’ve struggle at times with depressive episodes. If I don’t look after myself.  If sustained stress encapsulates me, I fight but eventually crumble into a desert wilderness. Low mood, the fog, hopelessness surrounded me in 2018..many many months.

A sustained draining and soul destroying circumstances bled me to the brink. I’d put on the acting face of ‘everything is ok.’ Eventually my health and wellbeing became cake left out in the rain. Deterioration lead to the inevitable health, emotional and mental health issues. I’d gotten quite poorly so took time out to heal. I didn’t want to lose my relationship or sanity.

Cycling round the lake. Being amongst the beauty of the trees. Meditation, and music making. Months later.. week by week. I began to feel like myself again. It became a very private withdrawn time. Talking about it did not help. My recuperation plan worked. My Lesson: Never let the day job damage and drain me to the walk to the edge of a chasm and dip my toes in the despair. When the sunshine gets shut out during a heatwave, it’s time to swim upon the tides of the moon.

The experience I am grateful of… As I will never have to suffer it again. I won’t allow it to happen again. I let myself down and others by not being fully honest with myself and allowing the harm and anger to take hold. We are all accountable for our actions. Humans can be selfish. Some don’t care about the ripples in the water they create, that build up to tidal waves. Life lessons are there to teach us. In some ways I’m far too sensitive to exist in this maddening world. Put an empath in a tunnel of pain and observe the carnage.

I found Zen creating this album. This infinite and connection to Goddesses.

There were days when I’d call upon a particular Goddess. But a different one appeared. The music poured, oh how it eloquently poured out. It was like lying on snow looking up to the sky. With every detail of snowflakes tinted with rainbows. My breathing returned after being stifled. The warmth embraced and travelled beyond the timeless gentle deeper dark of my meditations. The connection to Earth, Trees.. the healing of the skies. The composing became a cycle of daily therapy. It energised. It comforted. I indulged in sunsets and horizons. It made my world more alright.

The Triple Goddess, The Maiden, The Mother, The Crone )0( I sought Goddess of the hunt, Artemis in the wilderness. Under a magical moon I meditated to Selene. At the crossroads I asked for guidance and protection from Hecate. I became one with the Earth in the woods and the sky with Mother Earth, Gaia. In my darkest times I reached for the sea and asked for the return of feelings and love from Aphrodite. I retreated into meditations often in the Goddess Temple. Protector of Cats, Bast… Our 3 cats were very much part of recording this. I enjoyed further inspiration, music and creativity with Cerridwen. I called upon Morrigan, Goddess of war and fate. To help me endure my battles within. Healing came from The Celtic Goddess of Fire, Brigid, which I have also honoured with my track Imbolc from my album 8 Sabbats  Athena gave me direction and taught me how to better cope. We drove around Snowdonia under blue skies to her sounds. Asking for assistance from Lakshmi Goddess of abundance. We lit candles in the dark. Helping us see the way and what we have to do for the self sustained life we aim for. When you dance with death, there is the liberation of rebirth and Motherly love. I thank Kali. The 14th and final track in this album is Dance Of The Goddess. It comes from Blood Moon We end this journey with honouring and free movement and expression of dance for all. New beginnings…

Breath in the awe-inspiring. Recharge by the sea. Be well, indulge, connect, ask, sleep well.

~ Claudine

Claudine West Music

Music Links 

Apple Music

YouTube Claudine West Channel

Official Site

Claudine West Art on Red Bubble

Claudine West LinkedIn

Soundcloud

Bandcamp

Facebook

Facebook Claudine West Music

Facebook Earth Tree Healing

Twitter

@claudinewmusic

@claudsville75

@earthtreeheal

Instagram Claudine West  @claudsville

Reverbnation

Claudsville Blog https://claudsville.wordpress.com/

Claudine West Art https://claudinewestart.wordpress.com/

The Band

Strange Currencies 

Twitter @strangecu https://twitter.com/strangecu

1
Claudine West 2018

Discography – Earth Tree Healing on digital stores:

  1. Goddess (2019)
  2. Reiki (2018)
  3. Candle Gardeners (2018)
  4. 8 Sabbats (2017)
  5. Archangel Divination 2 (2017)
  6. The Journey (2017)
  7. Archangel Divination (2016)
  8. Citadel (2016)
  9. Meditation Chronicles (2014 only on Bandcamp)
IMG_8748
Claudine West & Angela Barker

 

 

 

 

Blood Moon

Blood Moon. The longest Lunar Eclipse. 103 minutes 27th July 2018.

A few years ago. I sat in the cool night air on The Tor with Druids in Glastonbury watching the Blood Moon. It was eerie, magical with dance, ceremony, worship, celebration, intent.

Presently. The heatwave, where in the UK we do not all have air conditioning –  We have resorted to sitting in the car by the river eating veggie homemade samosas – (Thanks Dulcie) with air con on full blast = blissful but very temporary.

Last night. Slumber was encompassing, frayed temper loomed, sweat, humidity, parched lawns. The want for rain and fresh air was overwhelming. The storms were forecast. Bar a few flashes and rumbles, still no rain at our house.  I sat in front of he keys in the studio..with an urge. This ‘suggestion’ had been suggesting itself for a few days. Our cats were leaping up as per usual. The actual end of the track has 2 random piano notes. This is courtesy of Rambo cat who jumped on the keyboard.

I chose a Mellotron, combined with strings, marimba and piano. This track effortlessly but humbly arrived after a couple of improvised takes on each instrument. This is just the way with something is bursting to come out. No bragging rights as these things just channel from ones fingers via the Claudsville creative portal.

Piano take Blood Moon

Blood Moon by Earth Tree Healing

 

The Blood Moon is tonight. Here is its accompaniment. 

Blood Moon is available on Bandcamp

Earth Tree Healing music links

http://hyperurl.co/ef3qxg

 

 

2018 Interview Claudine West Notts Music Network Magazine

“I was once described as ‘something close to traditional folk, to a more dreamy sound, all the way to an electro Tori Amos, an artist not to be pigeon holed.’

Read the Notts Music Network Magazine interview

“I create alternative and new age music. I’m a multi-instrumentalist currently drumming in Nottingham indie rock band ‘Strange Currencies.’ I release solo work under Claudine West and ‘Earth Tree Healing.’ I used to call myself Bog Woppit.

“My sound can be as simple as a finger picked acoustic guitar with a haunting vocal. To alternative rock with electric guitars and melodic keyboards. I’m big on harmony, melody and haunting beauty that evokes emotion. I sing a little. But musically it’s the instruments that really do the talking with my work. I am the protagonist of my lyrics. My journey as a musician though jazz, blues, folk, grunge, rock has shaped what I create. You will hear elements of all.

“I also release new age, instrumental and meditation music under the pseudonym ‘Earth Tree Healing.’ From performing on sitars to accordions, keyboards, singing bowls, bongos, mandolins and more. I’m venturing more into binaural beats and good vibrations at 432hz (the God frequency).”

History

“From my first little ‘Bontempi’ Keyboard and second hand classical guitar. I knew my fingers were a bit special. Puberty unleashed a massive rush of creativity and opened me up as a conduit. It flows through me like a stream from the mountains. But I cannot contemplate the true source. Why would I?

“On one level It’s the buzz after exercise, the wellbeing after meditation and the warmth after red wine all rolled into one. On another it is the rock and roll adrenalin fuelled orgasm and vibrational ecstasy that come with live performance. I am grateful of the bliss this life is giving me. Fame is elusive. But in the dark rooms I learned to play the guitar in, so I didn’t need to look at my fingers on the fretboard, to collecting instruments. (You can never have too many!)

“This journey is so much more satisfying in ways that money or fame cannot bring. I never got into cover bands. I’m a creator not a copier. I’ve spent a lot of time locked away from daylight in home studios. As a teenager I got into Hip-Hop, Tori Amos, Suzanne Vega and grunge music. I appreciated funky beats and rhyme. Along with learning the drums at School. I equally concentrated on piano/keyboards and guitar. Self-taught. I don’t read music much. I improvise. Playing jazz and blues music and spending my formative years jamming at live mic nights.

Claudine West

“I spent many a good and not so good time with talented and sometimes temperamental musicians. I also suffer from a sometimes creative temperament. The beast is calmer with maturity. All great learning on this road!

“Experiencing the sudden death of my music mentor and close friend in my late 20’s was sobering. It created a world of emptiness and revaluation. The writer’s block that followed took me to new shores to heal. My evolution as a songwriter, composer, musician and conduit of thoughts, damage that became lyrics.

“I also have always loved creating instrumental music. A few years ago, I trained as a Reiki Practitioner. I wanted to accompany my practice and meditations. Being part of the pagan community and a spiritual being. The long road of excess led me here. I wrote a book about my life so far. It’s not an ego massager. It is an honest and true account of how I came to be ‘Claudsville Blogs and Biog of a Bog Woppit.’ is available via Amazon Kindle.

“I’ve been in a few bands along the way to here. Namely the cofounder and a decade stint in Nottingham’s The Idolins. I moved from folk pop to rock with the short lived Subway Circus. With myself and the vocalist PP Johnson departing to form Strange Currencies.

“I crawled out of the hole a few years back and really got back into gigging. This helped me get over the stage nerves that plagued me so much. The digital age has been a fantastic enabler to share it all worldwide. I’m having a great old time! I’ve been doing all of this this for over 20 years. Balancing it with my bill paying full time day job in the NHS is hard, but if it was easy. I would not appreciate it as much.

“After I’ve departed this mortal coil, my music will live on. There is something special and humbling about that. Practice, feel it, perform it, channel it, love it.”

What I’m working on

“I’ve just got back from a trip travelling around California. I was in San Francisco and Los Angeles during the tragic wildfires of October 2017. I wrote a new song upon my return called ‘Diablo Winds.’ Which is currently on Bandcamp. This will be on my new instrumental album under ‘Earth Tree Healing’ called ‘Candle Gardeners’ which will be released on digital stores on my birthday, May 30th 2018.

“I’m also busy creating some instrumental meditation work for a few clients. New music and recording an EP with our band Strange Currencies. About to release a guided meditation album I’ve just completed with our spiritual ‘Yoda’ Sally Wathen at Rainbow Bridge. Then I’ll write and record a ‘Goddess’ themed instrumental album later in the year.”

Music Links

https://claudinewestmusic.com/

 

Stranger Things…

“If you never try, you’ll never know what you are capable of.”  John Barrow

Stranger things have happened. things nearly didn’t happen… but…I’m an improv inspired kind of bird. Go with the flow. This ideal is not shared by all. Which is why…..

12th Feb 2017 was the day Strange Currencies shot a the music video for ‘American Saviour.’  Paralleled with a pseudo documentary of ‘the making of’ to rival others .. should be released in the summer. With a story line and undertones of Cuprinol. This dip into politics may cause ripples with nipples. A few conti pad giggles.

With a self financed tiny budget, (500 x 50p and a mars bar mini) the kindness of The Acacia Centre  volunteers fancy dressed to impress, sausage and chip cobs(naps, buns, rolls to non locals), orange face paint, raspberry sauce and more wigs that Donald’s closet. Began a day of filming. After ditching his initial script in comparison to The Cure For Insomnia running length of 87– 10 mins in ‘cat years’ ;-0. A barrage of hissy fits ensued the day before. (A lesson about better communication, planning, prepping and making sure minutes are written in future with things!)  PP Johnson (band vocalist) overcame what can only be described as…. a fucking flid and directed. #evidence below.  Yet again I’ll quote this sunshine… “If you never try, you’ll never know what you are capable of.” John Barrow

A word from Director PP Johnson:

“I feel at this stage that I might have to go into more of an explanation as to why I didn’t want to make this video initially. In light of a pretty damning blog, it’s now become important to me that people understand my side of this particular issue. I guess I’d have to say that I was the architect of my own downfall on this one. Basically, I pitched the idea for the video a couple of months back and we all agreed that we should do it. We’d been looking for a concept to hang a music video on for a while and so this seemed as good an idea as any. So we greenlit the project and everyone was happy. Fast forward a few weeks and new jobs for both myself and the band manager plus an album recording that was well under way meant that I started doubting our ability to produce a quality piece of work in such a short space of time. So… I went to my bandmate and the manager with my concerns and suggested that we either postpone the project or shelve it altogether. This suggestion was met with a fair amount of resistance and I was told that we were definitely going ahead and “I shouldn’t pitch projects if I had no intention of going ahead with them”. Suddenly one person was less happy. 😉 Anyway, life and work began to take priority, as they tend to do. Production meetings didn’t happen and communication on all sides became almost non-existent (due to individuals not replying to messages and various important sporting events). During that time a script was written and some pre production work had been carried out (admittedly not as much as I’d had liked but that’s on me). Come the eve of the shoot and I was a very frustrated bunny indeed. We were on a ship which seemed rudderless and heading for stormy waters, and I seemed to be the only one that saw it. After numerous tense phonecalls and a (now very public) meltdown from your’s truly, it was decided that we would change the project in order to try and turn the project’s weaknesses into a strength. Ultimately a new concept was born and the shoot went ahead. Upon reflection, I still feel that I was right to feel the way I did but I am grateful that we were able to turn potential tragedy into (fingers crossed) triumph. My actions in the build up to the shoot were those of a man who was being forced to do something against his will and it garnered the appropriate response. So there it is, the story from my side. Hopefully to be concluded in the summer with the release of American Saviour: A Cautionary Tale.”

So….after a winter of ‘Toblerones’ and turkey. With pre menstrual bloat, some virus illness shite that the flu jab possibly caused. You can imagine my surprise and horror at being directed with speaking parts! Bear in mind.. an E in ‘A Level’ Drama happened for a reason with me! I mumble and can’t remember lines or prompts, or act.I can barely function as a non musician at times. So genuine uncomfortable madness.. Fanks!

With the sort of pre match bitch diva fits that potentially split bands up and ruin friendships and prompt the band manager to consider leading a meditation with monks tour with backing band ‘Satans Minions.’  By the power of Greyskull.. no one died. A punch up did occur. Filming completed.

What won this Shoot was :  Wait for it…Team work, yes where no ‘i’ belongs.  Resilience, imagination, ripping off others ideas and persevering seeking the bigger picture. What one watches in hindsight though the looking glass in years to come. Becoming a coffin dodger is a daily Pac man challenge.
Big thanks for last minute leads, Angela Barker, who is also the manager who fortunately for some only used the boxing gloves ‘acting.’ Stepping in to the Trumpalumpa ‘Ronald Gump’ character. Notts Drag Queen, Madam Tesstickles (Steven Newbury) for the ‘Vanessa Theresamay’ hilarity. Talented true divas and excellent hilarious performances. The DJ’s, friends and families at Acacia Radio for giving us their time, featuring and letting us use their building and props. Kendal Louise Turley, who I first met in 2009 while recording an Idolins album at Confetti Studios, Nottingham. Joe our cameraman. Both very cool and talented folks.

Watch behind the scenes footage

Trump May punch up

Here are some pics. To follow…. hopefully a music video and making of documentary 😉

I became rather fixated Baywatch wise too…..

~ Claudine

Mantaray

Surrounded by storm sea surges, snow sprinklings and a panic winter press sensationalism. I’ve sat in my little music cave Claudsville Studios. With some instrumental ‘rumpy pumpy’ the first of my new born kids being dropped off at the pool is Mantaray. This embryonic adventure into haunting piano and loops, Fender guitar expelling mellow cries into the night air for alternative progression on this track. With recording equipment situated on my old Reiki treatment couch (for the vibes) I sat in the glow of a salt lamp with a Crassula Ovata (money plant) for company, while the love of my life slept in the next room. As she stirred in slumber, she believed she was sweet dreaming, listening to my early morning vocal take yawns, harmonies and lyric editing as I progressed. With an oceanic theme around rescue. The song explores the burden of love. A song that arouses from the deep blue ocean then grabs souls with its undertow. This track is number 1 of a new solo album in progress. I’ll add each song as they unfold. Under the Stephen Fry inspired working title of ‘Babbling Merchant of Drivel’ progress is inspired in a Rue Morgue kind of way.

I’m currently in the middle of recording Strange Currencies album ‘Making Monsters’ So it a very musically indulgent time. Pretty darn cool actually.  I’ve spent the last 2 evening sessions suffering low mood and  red light fever recording the acoustic guitar parts for ‘Stay Down Kid.’ My one take wonders rule left me for dust! With cats jumping all over the studio during takes, and sore fingers. I’m hoping next weeks session will tell a different story. Luckily the swearing flowed like warm pee then the boiling hormonal blood ran free and with a little assistance from some garnet gemstone in my shorts pocket. I kind of nailed it last night. We had recorded a live version to work to. PP Johnson liked his live vocals. So as I’ve just D.I.’d the acoustic. I’ve had to overdub it and mic my trusty ‘Taylor’ up.  A song that has been played loads live with my eyes closed… Well.. maybe I should have swapped mugs of tea and vitamin water for Rum. But I think its kind of there ready for mix and master. As this album evolves.. getting the right balance of ballad, funky, poptarty, dirty, distorted and hints of country. Even though I know it will work out great in the end. I learn Logic Pro X as I go. The January blues will depart and be looked upon kindly as a productive time in the darkness.

 So here it is by Claudine West

Lyrics

Whispers on the waves of silence
I sensed the love in buoyance
In the eye of a hurricane
Our ship sails for America
A vortex where the renegade goes
This riptide rides the ebb and flow Chorus Jettison flames
This cargo is killing me
Mantaray
Set me free Verse 2
Those that inspire me, desire me
I’m certain of the dance
Lethal switchblades and urban food chains  Bridge
The world lights up and jettisons
The embers burned you, 
The embers burned you, 
The embers burned you, 

Chorus

Verse 3 
I buried myself in the Earth
To seek what it was worth
I carried strength and faith around
Buried scars and saviours
I quit the bad behaviours
I stopped this drowning before it took you down

Released January 9, 2017
Written, performed and recorded by Claudine West 2017