They Architect The Stars by Earth Tree Healing is an album of Sci-Fi ambient/electronic music tracks by composer/multi-instrumentalist Claudine West. Released April 12th 2020.
Growing up on the films and tv series such as Star Trek, Blake’s 7, Day of the Triffids, Alien (1979 movie), A Hitchhikers Guided to the Galaxy, War of the Worlds, Invasion of the Body Snatchers, Star Wars, The Day The Earth Stood Still, Planet of the Apes, 2001: A Space Odyssey (Trivia- Wally Veevers – Claudine’s Auntie’s Father, was special photographic effects supervisor) and many more. (Thanks Dad!) Inspired by a lifelong interest in all things alien, conspiracy, intergalactic. Paralleled with Claudine’s meditative music releases under ‘Earth Tree Healing‘ music. This transforms into less melodic, more atmospheric soundscapes. This album became after Claudine was working on instrumental music for Music Libraries. This is a journey that blends into itself from its beginning to its end.
I sat in our healing room. The dowsing rods, from The Pyramid Lady answering questions. Pointing to the Mac, then back to me. I like to check in with them now and again. I was planning to take a break from composing Earth Tree Healing music for a few months… to recharge, not that it tires me out. Clearly 2 weeks of the lurgy, weird dreams that come with it and a shot of Night Nurse and that…was my break.
There is intermittent beatboxing coughing in the house. Frankly I’m sick of hearing it now. (The joys of working on hospital wards and in an open plan office. Excellent virus exposure!) The cats are very much more needy of fuss, as are trying to make both mummies better. Rambo cat has been pouncing on me throughout the nights in bed. But I love him. Tipsy is Queen of the duvet hogging. I’m surprised I’ve not pee’d the bed, as she will not get off easily when she is lying on top of you. In a weakened state where even my toes hurt, moving about was just silly. I feel like I’ve been pummeled by a meat tenderiser. Even Pattie Pops honoured me with a duvet cuddle. Have had far worse, but still a week of feeling pretty ghastly, I could have done without. Wellness is returning slowly.
We’d taken a drive outdoors, had breakfast. Visited the tree planted in Arnot Hill Park for Sarah Louise Kay. Layed roses. She died a year ago suddenly, 26 years old. Ange’s business partner and co-founder of candles and magical herbal incense Fenix Flames
Then a trip to The Real Milk company for some veg, organic milk. Love it there. Donations box.
So spirit guides, powers that be. We’d cancelled a band rehearsal. Don’t want to spread it, nor am I up for drumming quite yet. I sat and though I potter about surrounded by musical things. Played some acoustic guitar – just to check me aching fingers still work. The compulsion to set up a mic was overwhelming. The seed of an idea to make my next recordings very natural acoustically, with an array of instruments had been dormant for a while. Germination time. This channelled.
I’d bought the wooden xylophone from a stallholder whilst performing at Under The Castle festival 2019. The shaker from a stallholder in Portsmouth. The handpan drum – Massive Thank you Pia from Pagan Tribal Gathering.
Why Trees of Kyoto? It popped in my head. May be a past life, future life. It is something bigger that the vessel that I am that created this music. I totally respect it. Definitely want to visit as it looks beautiful in bloom.
My music altar is attracting and honoring such wonderful vibrational energies and creativity. It brings reassurance, law of attraction, comfort and beautiful peaceful moments.
Salt lamps bring warmth the the dark nights of January 2020. Apart from the bathroom. They adorn each room. I love the glow. Great for Reiki and meditation practice.
Indie Road Movie is a new instrumental album by Claudine West. Released 1st February 2020. 15 tracks for road journeys. Upbeat. Electronic, Raw. In between recording relaxing meditation music as Earth Tree Healing. I’ve enjoyed playing with loops and keyboards in my home studio. Part of my work as a musician and composer is writing, looping, experimenting to accompany visuals. 2019 was spent adding music to Pond5 stock music library.
Music has spoken more for me than words. I don’t feel the need to rant at the moment, to tell you all something you already know. An opinion you agree or disagree with. I wanted to quieten my chatter and speak through vibrations. 2019 was a time of loss, of not looking after ‘me’ very well. Very much locking myself away in studio to indulge. This is always a good thing. But I neglected getting out into nature, just walking, breathing in the sky. We travelled a lot which has been where the concept for Indie Road Movie came from. Music for exploration. A rhythm for the road. I’ve been working on tracks for over a year in between the other Earth Tree Healing albums. Maybe it’s a guilty pleasure. I get a bit of a ‘foot tappety tap, slap your flip flops round someones face and then embrace them vibe.’ I get the I need to escape from where I’m at right now vibe and travel to quench the thirst of the impulse to run. This is by no means my relationship. Its about us both feeling the need to go and explore.
Last night on New Years Eve 2019. I attended a Gong Bath. I’ve been ill with a bug for a few days. Stuck at home, Riding my horsey called ‘Biscuit’ about on Red Dead Redemption 2. Realising I simply cannot catch the white wild horse near the lake and giving up in a weakened rage. Time to disappear somewhat, meditate and eat more greens.
Being on my spiritual path, meeting like minded souls is educational. Being amongst good vibes is comforting. But…I still have to humanly address idiotic bad behaviours and actions. I don’t tolerate or stomach: bullies, liars, selfish, negative draining behaviours/people or folk that rip you off. They have no place in my world and get uninvited to sharing a path with me. Gut wrenching instincts are best acknowledged.
I didn’t have issue with Notts/Derby band Strange Currencies. 3 months ago I left on a positive note after their last gig of the year, ensuring they weren’t left without a drummer, then had winter to comfortably recruit and rehearse. But…. Seeing as co-written songs are being fraudulently ripped off. It is time to spill… Sit back, relax.
2019 was a time for change and moving on. I’d suffered a frustrating year spent hoping, in a band that stagnated. A band that did not go into studio to get the tracks recorded professionally to realise the full potential. Not through lack of trying to encourage it to happen. No EP or album release of music that reflected the music that band performed live. (Certainly a barrier was 1 member of the band didn’t want to pay for it)
We’d demoed tracks and recorded them in a rehearsal room. Now the newly named band #ROE releasing them under new titles. Well… well…as a co songwriter and them being PRS registered… well!
I left Strange Currencies as there was no more progression for me. The fun was slowly sucked out of any final bit of enthusiasm by the end of 2018. Reason? One individual continued to shat on the shoreline. – Let us say for examples: unsavory behaviours, moods, bitch fits, lying (a particular pork pie that was excruciating, was telling the audience that we had supported Foo Fighters) being ungrateful at all of the free lifts, taking his shit out on our band manager and trying to hide that from the rest of the band. The attempts at manipulation were pathetic. A power struggle over control, being creepy. What part of ‘I’m a lesbian in a happy relationship’ that was not understood? I highly suspect their behaviours were historical too in previous bands and will sadly occur in the future. Fortunately not by problem to witness anymore and it is blissful.
Having no understanding of how much effort you have to put in on social media (which I spent a lot of time on) or the advantages of releasing ones music on Spotify, iTunes etc to get your music out there. Being a very depressive shadow in my band life – which in turn affected me personally, that I no longer wanted to be around. Even getting pissed up wasn’t fun last year. For the final 6 months, I’d sit in rehearsals not wanting to be there, pretending, hoping things would get better. I amicably announced my departure at the last gig for them, The D.H. Lawrence Festival. September 2019.
Working with new people had been giving me the buzz. I was busy with other projects. I decided after much humming and harring to step away as my heart was no longer in it. Band death had occurred for me. (Newsflash: When musicians leave bands, it’s mostly because they don’t want to be in them anymore – ‘end of’ chuckle chump) it really doesn’t matter if I left to watch paint dry, save the planet, invent a new flavour, get stoned with Reptillians. I’ve gone. It is what it is buttercup. I don’t remember being under any contractually binding obligations to stick with.
Was it a dick move to discuss what comes next? Well when someone rips off your music that is PRS registered and songwriting. It’s bloody rude! What kind of uneducated numpy would do such a twattish activity…. Well readers… read on….
Here is an example kids – of how not to behave. Unsurprisingly as soon as ‘said individual’ was dropped off home by myself and band manager.. So began ‘you left us for another band assumption’ deletions, (& us being blocked on FB. We high fived!)
All the video song titles from the Facebook page got mysteriously removed. It seems evidentially that songwriters rights are being disrespected and infringed here! When they could just have used the original song titles and let me know, as asked when and where they were played live, so I could claim performance royalties. Very poor activities and complete lack of honesty and integrity from a band. I can understand you were upset at your loss and are completely oblivious to your own distasteful ways. Bibble boo boo. Said individual had also taken over the Facebook page (with my blessing to carry on SC), changed it to the new band name, and even duplicated it. (Double bubble for your fans, whoop!) Individual then requested I ‘like’ their page again. ‘Fuck off sunshine no thanks!’ Alas, Strange Currencies split up after their final gig of 2019. A shame, as I wished them the best to carry on the music and reputation they were building, (I’d find it very odd them now trying to get new gigs off the back of the music from a band that no longer exists) – WELL ANYWAY… AHEM, gold watch cough up. Like I said, I had asked for them to just to let me know when they performed the songs live (so I could claim PRS performance royalties for the ones I’d co written)
But alas they appear to be renaming the songs I co wrote, in a strikingly fraudulent attempt to claim them as the new bands. I expected as much disappointingly. It’s like renaming ‘Bohemian Rhapsody’ as a new arrangement and claiming it to be your own! – please also note it was me drumming on the Rules of engagement ‘single’ releases. #PPL
Christmas Day is the new album (from musician/composer Claudine West) by Earth Tree Healing. I recommend this album should be played during food prep and consumption, merriment, bad weather, good weather. The even it self, leading up to the event and alternatively, any other time of the year if you like the tunes.
I wanted to capture the essence and accompany with music, festive times with family; love, magic, peace, melody and quirky tunes. Building up to customary funky party beats. The creation of Christmas Day came a knocking via my fingers, shot through the door and wanted to be here pretty quickly. Some intense workload as the nights darkened in my home studio. Documented here on video:
Pigs in Blankets
Mince Pie Lullaby
Love Light Hope Peace
Tinsel and Baubles
Santa Likes To Party
It’s been a tough 2019 personally. Making the most of quality time spent with loved ones is paramount. In a season that for some emphasizes loneliness, abandonment, desperation, violence. I want to bring light in via music, vibrational inspiration for comfort, relaxation, escape, good feelings. There is beauty in the darkness. Life is worth hanging on to, even when you feel all hope is lost.
Music is my creative comfort. It is good, it is healing. When lack of vitamin D is problematic and supplements are gobbled down daily. It’s the blanket keeping me warm and tucked up with our cats when it is cold, dark, miserable. I do remember white Christmas snowy times when I was a tall tiddler. I would love to wake up to a white out in England. I still do get very excited at snow. Unfortunately climate change and planet evolution has put a stop to that for many years where I live. (I say this now…) I get a tingle when I smell the snow, the metal in the air, the tightness of the chest as icicles form. We don’t tend to get much of it in Nottingham in the Midlands. ‘The Beast From The East’ came and went. Beans in the cupboard, camping stove and candle ready. A few days in this country = travel chaos, panic buying, keyboard warriors in colder countries ‘used to snow’ making sarcastic social media comments. – Yep when you are used to it and the infrastructure of your country is adequate, prepped, maintained and invested in. Then well.. Walking on your scarf.. or just not going out unless you have to… can alleviate the risk that too many ignore. Breakages of the bone kind…Ouch! Get beans in now, fart your way through it.
I used to get over irritated by Christmas albums, I still do. They put me in the ‘anti spirit’ when played over a tannoy..over and over. SAME SONGS OVER AND OVER. Fortunately new ones are appearing. There are only so many words you can rhyme with Santa. So why record one? Well. I’m not an angry person anymore. Maturity and domestic settlement has calmed me. Crying at anything that is sad or animal related is now the norm. I did once think I was a sociopath, but then I SOBERED UP and unleashed raw be-bopping empathy. Gogglebox? Nope Blubberbox.
When music wants to come through, I really do have to let it. My ‘festive channeling’ opened wide! I also wanted to bring something new to the dinner table. A landscape of comfort, happiness, a musical friend to shine a light during dark nights. My memories of growing up with the Xmas magic as and excited child. After putting a glass of milk out and a carrot for Rudolf. We used to try to stay awake on Christmas Eve to sneak a peek at Santa. But like some magical sleeping dust. We never saw our stockings being filled at the end of our beds. My Brother, Sister and I would get up at the crack of dawn. Much gratitude to our parents for these times. We weren’t spoiled like brats, but we were spoiled.
The Xmas morning brekkie. The only day of the year I ate jam on toast. The only day I wanted jam on toast. Followed by chocolate, the feast of pigs in blankets, turkey, roasties, parsnips and veg. The awfulness of brussel sprouts – Love ’em or loathe ’em. A must on the dinner plate. I’d eat a couple to take one foe the team. The after effects fun wise far outweigh the taste. The afternoon kip, the queens speech, the same films every year on terrestrial TV – Yes 5 channels growing up. No Netflix binges in those days.
One December, I’d had the flu. Once I was able to get out of bed I built a small cardboard church. My Dad fitted lights inside. This goes under the tree every year.
This album is for you. It does include some tootsie tapping tunes. the humming melodies. Handle it by listening and sharing. Its success will provide benefit of kindness to our world. Give yourself and the ones around you some Love Light Hope Peace .:. Claudine
There has never a better time to bring good healing music into this world than right now, when the very fabric of all that we once knew is being torn apart, by a lust for power, enabled by fear and negativity. Now with albums like this the gentle fight back of love and light will rise up, and this could well be the musical backdrop with which it happens.
Western Mystical Tradition is the latest release by Earth Tree Healing, who took us on a fine journey with Goddess earlier this year. This voyage of plenty starts with a lively short form musical introduction entitled Capodastro.
At this point we are delivered a composition which must be one of the best in this genre I have heard for years. The track is called Ethereal Sunset 432 Hz, the sound of the universe sweeps over our senses; this is the most beautiful piece of music that you’re ever likely to hear, the vibrational tone works for me, bringing chills to each and every hair on my arms, and the major minor chord structures, along with the build and progression here is utter quality, so much so I never wanted it to end.
Only twice have I see this actually occur, firstly the track is Murmuration and secondly for those who do not know, this refers to the phenomenon that results when hundreds, sometimes thousands, of starlings fly in swooping, intricately coordinated patterns through the sky. The swirling sounds and clever narrative on keyboards is absolutely perfect for this occurrence and one that is deeply fascinating to listen to.
On Mantra we are right in my ball park, to coin a phrase, or even an Americanism, the eastern values are strong here, but there is also an extremely cleverly crafted guitar, aiding what I think is a harmonium. When we gather the energies all together, a careful beat and percussive ethic joins this musical fray and completes a composition that almost takes me back to the late 60’s.
We are now nudging the middle of the album and some sumptuous acoustic guitar and a delicate keyboard greet our ever eager ears, as we herald the arrival of the track Sorrow of Souls, the further addition of strings here just creates a further lush dimension of sound to revel within.
Archipelago is our next docking port, and the gentle sea can be heard lapping up onto its shores. We have many stretches of water further west of us that have many small islands and a beautiful site it is as well. The multiinstrumental nature of this track alone is so well performed, and with such a mindful sense of balance as well, one can easily picture this scene through the music and be simply swept away by its overall chill out nature, a totally divine offering indeed.
The shortest track off the album is this one called Motion of the Moon, but even at only just over two and a half minutes long, it is one heck of an attractive offering, especially the performance on guitar in partnership the keyboards, one that manifested something quite graphic and addictive for us all.
We have three long form pieces now, so to our first spacious room of tone and vibration and it is called Orbital Ghosts, we now see a vast realm of musical brilliance open up before us, one so deep, yet bathed in a spectacular calmness of utter ambience. At just under ten minutes this breath-taking opus seems to drift over our senses like a late autumn mist, across a deep and dark lake, we are never quite sure what may or may not happen next, but the hovering anticipation of the keyboards and synths are just absolutely sublime.
Our longest track on the album is the following composition entitled Zodiacal Light. It partners the previous offering perfectly, but now also has that certain Kevin Kendle, super space music vibe about it as well. One could easily feel themselves floating up into the darkness of space to this one, perhaps even to watch the lights from the Orion nebula themselves. Synths and keyboards are the ship we now traverse the universe in, and the sublime sense of being able to just float within this composition is idyllic, if this track had lasted a whole hour I would not have minded.
Our penultimate piece is called Moonlight Arc, music akin to watching the moon rise on some distant world, a veritable soundtrack for this magical moment, the deep bass sound here was so incredible, the slowness was literally the arc of light gently rising to its zenith, this for me was one of my personal favourites on the album, and one that manifested something so very emotive and powerful as well.
Eulogy is our very last offering, a solo piano piece that takes us out of an album that has been incredibly impressive, a fine ending to a sublimely crafted and quite stunning release. Western Mystical Tradition by Earth Tree Healing in my view is the best work so far by the artist, each and every composition, each and every work of art is gratefully received by these ever eager ears; this must go down as one of the most remarkable new age styled albums to have been released this year, one I have absolutely no problem recommending.
Introducing the new Earth Tree Healing album by multi-instrumentalist Claudine West. Western Mystical Tradition. Released 28th September 2019.
Somewhat crudely, esotericism can be described as a Western form of spirituality that stresses the importance of the individual effort to gain spiritual knowledge, or gnosis, whereby man is confronted with the divine aspect of existence. — Historian of religion Henrik Bogdan, 2007.
A multi-dimensional 11 track (1 hour 16 minutes) collection of acoustic guitar based pieces, meditative electronic synth environments to explore. Themes of inspiration from the moon, the sky, the sea, the sun, the cosmos. Channeling Universal Life Force Energy through music, from past lives. The conscious element is intention, to create and perform a beautiful, higher vibrational, harmonious soundscapes.
Track 1: Capodastro We begin with a sweet and sunny acoustic guitar ditty.
Track 2: Ethereal Sunset 432 Hz – Inspired by the beautiful mystic energies of sunsets on Benirrás beach, Ibiza. As the blissful darkening introduces us to the night. The orange and pinkest skies bring awakening light. (10 minute extended single (Boho Mix) version also on digital stores. Why 432 Hz? This is the natural frequency of the Universe. Music is traditionally tuned to 440 Hz. Read about it here : https://attunedvibrations.com/432hz/
Track 3: Murmuration – Soundtrack for the Starlings, for the patterns in the sky for the people that have ascended. For when we look up to the sky and see the magic and true beauty that befalls us.
Track 4: Mantra multiple layers build upon the foundations, rising, thickening, rhythmical enchanted affirmations for self.
Track 5: Sorrow of Souls. The ones we encounter that so brightly shine. They illuminate and touch lives. they remain undiscovered, to the masses and a Saviour to the few. A philanthropist that doesn’t need to donate money to help others benefit.They donate selflessness, love, tolerance. When a loved one departs their body. There are regrets at the unsaid. Peace in the mourning and sorrow until we meet again. Built upon piano, acoustic guitar and strings.
Track 6: Archipelago. By a moonlit sea in Es Canar. I recorded the night waves. I’d been to Ibiza for a holiday earlier in 2019 and explored. Illuminated and inspired the essence of a sunset of Benirrás Beach, boat trips, the land train exploring the island. The vibe at Café Mambo. The Balearic islands vibe entertain beautiful chilled out times.
Track 7: Motion of the Moon. Watching night sky watching the moon. The changes that occur in life, the circles we covet. There is a full original version I recorded years ago of this with my vocals. I’ve always loved performing this – so recorded an instrumental take of it.
The next 3 track are a trilogy of chill out music. Journey in to cosmic calm. 432 Hz.
Track 8: Orbital Ghosts. It’s now to down lights, close your eyes, adventure, relax, meditation, do yoga, adventure. The voices of apparitions invite you in.
Track 9: Zodiacal Light (24 mins) The powerful rumbles in the awe and glow, ebb and flow of mystical reflections of light in the night sky. 432 Hz for deeper meditations.
Track 10: Moonlight Arc Ambient space, the cosmos. For travellers, explorers of ascension.
Track 11: Eulogy – Simply piano. I had a very strong urge after a family member’s funeral to compose something fitting that combines, love, loss, and celebration and remembering.
Album art painted by Claudine West
Enjoy, meditate, travel, relax, love, explore, be grateful, be kind.